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Sabtu, 31 Januari 2015

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Here are clear reproductions of over 1,200 anatomical drawings by one of humanity's greatest geniuses — still considered, nearly five centuries later, the finest ever rendered. With 215 plates, including studies of the osteological, myological, nervous, respiratory, alimentary, and genito-urinary system, this treasury will be admired by artists and scientists alike.

Sales Rank: #1834537 in eBooks
Published on: 2012-03-15
Released on: 2012-03-15
Format: Kindle eBook

From the Back Cover

"It is a miracle that any one man should have observed, read, and written down so much in a single lifetime."—Kenneth Clark
Painter, sculptor, musician, scientist, architect, engineer, inventor . . . perhaps no other figure so fully embodies the Western Ideal of "Renaissance man" as Leonardo da Vinci. Leonardo was not content, however, to master an artistic technique or record the mechanics of a device; he was driven by an insatiable curiosity to understand why. His writings, interests, and musings are uniformly characterized by an incisive, probing, questioning mind. It was with this piercing intellectual scrutiny and detailed scientific thoroughness that Leonardo undertook the study of the human body.
This exceptional volume reproduces more than 1,200 of Leonardo's anatomical drawings on 215 clearly printed black-and-white plates. The drawings have been arranged in chronological sequence to display Leonardo's development and growth as an anatomist. Leonardo's text, which accompanies the drawings—sometimes explanatory, sometimes autobiographical and anecdotal—has been translated into English by the distinguished medical professors Drs. O'Malley and Saunders. In their fascinating biographical introduction, the authors evaluate Leonardo's position in the historical development of anatomy and anatomical illustration. Each plate is accompanied by explanatory notes and an evaluation of the individual plate and an indication of its relationship to the work as a whole.
While notable for their extraordinary beauty and precision, Leonardo's anatomical drawings were also far in advance of all contemporary work and scientifically the equal of anything that appeared well into the seventeenth century. Unlike most of his predecessors and contemporaries, Leonardo took nothing on trust and had faith only in his own observations and experiments. In anatomy, as in his other investigations, Leonardo's great distinction is the truly scientific nature of his methods. Herein then are over 1,200 of Leonardo's anatomical illustrations organized into eight major areas of study: Osteological System, Myological System, Comparative Anatomy, Nervous System, Respiratory System, Alimentary System, Genito-Urinary System, and Embryology.
Artists, illustrators, physicians, students, teachers, scientists, and appreciators of Leonardo's extraordinary genius will find in these 1,200 drawings the perfect union of art and science. Carefully detailed and accurate in their data, beautiful and vibrant in their technique, they remain today—nearly five centuries later—the finest anatomical drawings ever made.
Dover (1983) unabridged and unaltered republication of Leonardo da Vinci on the Human Body: The Anatomical, Physiological, and Embryological Drawings of Leonardo da Vinci, originally published by Henry Schuman, New York, 1952.

About the Author
Irma A. Richter was an artist, translator, and Leonardo scholar.
Thereza Wells is Head of Scientific Analysis at Universal Leonardo.
Martin Kemp is University Professor of the History of Art at the University of Oxford (Trinity College) and the author of The Oxford History of Western Art and Leonardo.

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60 of 63 people found the following review helpful.
Leonardo's Masterpiece
By rareoopdvds
Leonardo Da Vinci's anatomical drawings, due to his extreme curiosity, became one of his most profound works to date. Published by Dover from the original text 1952. The book is set up in 2 columns and broken up into headers of different anatomical structures; either of bones, muscles, ventricles of the heart or brains. The chapters are broken into systems: nervous, cardiovascular, myological, osteological, respitory, alimentary and others. Within the text there are italicized words. These are the words written on the drawing itself, in Leonardo's usual backward writing style. Some of you might be curious, beyond the drawings themselves to read what Leonardo thought at the time. And from there is the authors commentary. For those interested in anatomy, drawing, painting or anything in the art field, this book is highly reccoemended, for it has limitless reference value. I continually look at it for my drawings. One will also notice that many of the "models" are of the same body or person. This is because Leonardo asked a friend on his deathbed if he could cut him up, dissect him and then draw him. The friend, of course, consented to this, and so we have Leonardo's masterpiece. Highly reccomended! Also reccomended is his Notebooks, also printed by Dover.

8 of 10 people found the following review helpful.
Not for me
By A. Dummai
If you are thinking that buying this book would help you learning a secret of leonardo's drawing, this is not that book you are looking for . You would learn better with bridgeman's anatomy book or somebody else. This book is pure anatomy and science.

If you like reading texts and texts, then this is probably for you, but not me.

2 of 2 people found the following review helpful.
Great for illustrators
By Scott P
have really enjoyed using this book to study detail and the human body..It's hard to beat the level and skill that Leonardo left us with..

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Jumat, 30 Januari 2015

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The study of past society in terms of what it consumes rather than what it produces is - relatively speaking - a new development. The focus on consumption changes the whole emphasis and structure of historical enquiry. While human beings usually work within a single trade or industry as producers, as, say, farmers or industrial workers, as consumers they are active in many different markets or networks. And while history written from a production viewpoint has, by chance or design, largely been centred on the work of men, consumption history helps to restore women o the mainstream.
The history of consumption demands a wide range of skills. It calls upon the methods and techniques of many other disciplines, including archaeology, sociology, social and economic history, anthropology and art criticism. But it is not simply a melting-pot of techniques and skills, brought to bear on a past epoch. Its objectives amount to a new description of a past culture in its totality, as perceived through its patterns of consumption in goods and services.
Consumption and the World of Goods is the first of three volumes to examine history from this perspective, and is a unique collaboration between twenty-six leading subject specialists from Europe and North America. The outcome is a new interpretation of the seventeenth and eighteenth centuries, one that shapes a new historical landscape based on the consumption of goods and services.

Sales Rank: #2712196 in eBooks
Published on: 2013-06-17
Released on: 2013-06-17
Format: Kindle eBook

Review
'Oustanding collection of essays ...' - The Observer ABC CIRC 551 475

'The papers reflect a marvellous diversity of methodological approaches and material content, .... a stimulating collection of papers, all of an extremely high standard, ...' - Patricia Fara British Jrnl for History of Science

'There is something for everybody in this big volume...' - The Times Literary Supplement

'This book deserves to be widely read,...' - Financial Times

'outstanding collection of essays.' - The Observer

About the Author
John Brewer is Professor of History at UCLA. Roy Porter is Senior Lecturer at the Wellcome Institute for the History of Medicine, London.

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This book re-conceptualizes the field of international and comparative education by utilizing indigenous knowledge as a central component for altering the dominant, eurocentric social science research paradigm. Examples from indigenous sources of knowledge are juxtaposed to the dominant discourses on education and modern development in subaltern societies in order to provide scholars with alternative ways of viewing education and development and to shape how subaltern peoples are understood and represented in academic research. Bibliography. Index.

Published on: 2013-06-17
Released on: 2013-06-17
Format: Kindle eBook

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Selasa, 27 Januari 2015

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A study of Britain's imperial policy in the Middle East over oil, finance and defence. This book brings together different accounts of British policy in the early 20th century, particularly in the Ottoman Empire, to reflect a consistent pattern of preoccupation, policy-making and diplomacy.

Published on: 2013-06-17
Released on: 2013-06-17
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Evaluation Roots: A Wider Perspective of Theorists’ Views and Influences, Second Edition provides an updated examination of current evaluation theories and traces their evolution. Marvin C. Alkin shows how theories build upon theories and how the theories are related to each other. The way in which these evaluation "roots" grew to form a tree helps to provide a better understanding of evaluation theory. In addition to the editor's overview, the book contains essays by leading evaluation theorists. In these pieces, the evaluators comment on their own development and give their views of their placement upon the tree.

**All royalties from sales of this book are donated to support the AEA Research on Evaluation Student Award.**

Sales Rank: #349357 in eBooks
Published on: 2012-04-12
Released on: 2013-06-10
Format: Kindle eBook

About the Author
Marvin C. Alkin is Emeritus Professor in the Social Research Methodology Division of the Graduate School of Education and Information Studies at the University of California, Los Angeles. He has been a member of the UCLA faculty since 1964 and has, at various times, served as Chair of the Education Department and Associate Dean of the school. Dr. Alkin was one of the founders of the Center for the Study of Evaluation and was its Director for 7 years. Dr. Alkin is a leading authority in the field of evaluation. He has published important research studies on the use of evaluation information in decision making and on comparative evaluation theory. His publications include five books on evaluation and more than 150 journal articles, book chapters, monographs, and technical reports. His books include Using Evaluations (with Peter White and Richard Daillak), Debates on Evaluation, Evaluation Roots (1st and 2nd editions), and the four-volume Encyclopedia of Educational Research (6th edition). Dr. Alkin is currently co-section Editor of the American Journal of Evaluation. He previously had been Editor of Educational Evaluation and Policy Analysis. He has also been a consultant to numerous national governments and has directed program evaluations in 14 different countries.

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and I love it. If you want to know what evaluation ...
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Every chapter of this book is written by a different evaluation theorist, and I love it. If you want to know what evaluation theorists have to say about themselves and their own work, this book is perfection.

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Great theoretical summary
By Kris Wiley
This is a good book to have in your library if you hope to begin a social program or evaluate them. Complement it with something more practical.

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This book should be THE evaluation textbook. Definitely.
By Danielle
This book makes evaluation theory clear. Finally. And it is actually interesting, which helps!

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Senin, 26 Januari 2015

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.
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Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

Sales Rank: #3327157 in eBooks
Published on: 2013-06-17
Released on: 2013-06-17
Format: Kindle eBook

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Fourteen pieces including chorales, preludes, polonaises, a gavotte, march and musette, and inventions.

Sales Rank: #2887621 in eBooks
Published on: 1998-03-01
Released on: 1998-03-01
Format: Kindle eBook

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A hands-on book design students and designers alike will welcome. Elements of Design is a tribute to an exceptional teacher and a study of the abstract visual relationships that were her lifelong pursuit. Rowena Reed Kiostellow taught industrial design at Pratt Institute for more than fifty years and the designers she trained-and the designers they're training today-have changed the face of American design. This succinct, instructive, invaluable book reconstructs the series of exercises that led Kostellow's students from the manipulation of simple forms to the creation of complex solutions to difficult design problems. It includes her exercises and commentary along with selected student solutions, and concludes with examples of work from former students who became leaders in the field, including such well-known figures as Tucker Viemeister, Ralph Applebaum, Ted Muehling, and many others.

Sales Rank: #558799 in eBooks
Published on: 2013-07-02
Released on: 2013-07-02
Format: Kindle eBook

Review
"I feel so kindred to her process and philosophy. She poignantly illustrates that design is a life discipline. I wish I'd had the opportunity to study with her." --Interior Design

"A loving tribute to an influential design instructor presented in lesson form. Part profile of a great instructor, part tutorial, this overview of Kostellow's work remains a source of inspiration and coaching for future industrial designers." -- Design Issues

"Any book about such an important figure deserves to be read again and again, especially its essays by such luminaries as Paola Antonelli and Judy Collins." -- Metropolis

"An invaluable resource to students, designers and instructors, the book reconstructs Kostellow's teaching methodology and exercises, which oncehelped shape American design and now resets the stage to do so again." --I.D. Magazine

"This book collects, for the first time, her exercises on abstract visual relationships. The work is of interest to anyone involved in any aspect of design as it explores the fundamentals of form, structure, and space." --DesignLink

About the Author
Gail Greet Hannah is a writer specializing in design and marketing. She was a friend of Rowena Reed Kostellow and worked with her to publish her teaching method. She lives in Cold Spring Harbor.

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23 of 23 people found the following review helpful.
visual exercises - for serious designers
By Robert J. Crawford
This is a technical book that is an attempt to teach what RRK developed over a lifetime obsession with visual compositions. She did one thing, over and over, refining it over a long and productive career at Pratt, in Brooklyn. As such, I believe that it would best be used in the classroom, rather than as a simple read for those who want to understand modern design. Being ignorent about issues in studio design - really doing it, rather than observing it like I do - I got a lot out of it. But I will need to refer to it and read through many more times to truly absorb the exercises. For what it is, the book is a masterpiece as an exercise in visual thinking and the method left its imprint on many of the greatest American designers from before WWII to the 1980s.
Recommended, but for designers rather than design critics.

48 of 53 people found the following review helpful.
Review of The Elements of Design
By Julian Winston
I do believe I am somewhat qualified to review this work. After all I was one of Rowena's "boys" in the early 1960s.
The last time I saw Rowena in 1985 she told me she was working on a book. At the time, I was teaching three dimensional design at the University of the Arts in Philadelphia. I too wanted to write a book about three-dimensional design and had given it a good start. Along the way I realized the impossibility of writing about dimensional design. It can't be done. It can be approached, as this present work does. But when you get right down to understanding the words on the page, they are as slippery in writing as they were with Rowena in person. I couldn't conceive how she could write it down. It is not surprising that she did not finish it. Her thoughts were too abstract to concretize them.
I recall one dialog with her:
"Not quite," she said turning my work. "Just look at it."
"I'm looking, Rowena, "I replied.
"Well look at it some more. You need to get the balance."
The book outlines a series of exercises that Rowena used to develop the ability to see dimensionally. As her student, I did all those exercises, and looking at them in the book and reading the comments of others (many of whom were my classmates) brings back many memories.
I recall how, four years after graduation, I was working in an ID office designing a typewriter, when suddenly it all became clear. I phoned her that evening. "Well, you were a smart kid, Winston. I figured you'd get it."
And then six more years from there, seeing the "convexity" problem that my parents had so proudly displayed in their living room, and realizing that I now *at that instant,* saw why she had been disappointed with it. My experiences are echoed by many of those quoted. It is nice to know that I was not alone.
The reader can look at the projects shown (and beautiful pictures they are!), and read her words and the words of her pupils, and perhaps they will get a glimmer of what an amazing force this woman was. But her text is slippery, and by being that slippery, it is the quintessential Rowena.
Her method, as is stressed in the book, was completely experiential. You can read *about* it but to fully understand it you have to do it-- and do it with guidance. You need to *do* the work in three dimensions and have her (or someone who studied with her) standing over you to say, "Not quite. Look at it some more."
If this book can get a younger generation interested in doing this work before all the "old guys" die off, then it will be a even more lasting monument to her vision.

18 of 20 people found the following review helpful.
An exceptional work.
By mriggi
I was a student of Ms. Reed at New York's Pratt Institute. This work by Gail Hannah is an important, and accurate, description of Reed's visual design methodology that has had far reaching positive consequences for our nation. Anyone seeking to understand how the visual design of three-dimensional objects can be taught, and subsequently successfully implemented, will appreciate this book. The practice of designing three-dimenional objects for use by people is an oft misunderstood subject since it is not conventional engineering nor an art unto itself. Industrial design is a unique combination of skills that forms a bridge between the end user of objects and the manufacturer. Hannah's work on Ms. Reed, her origins, and her teaching technique, begins to fill the gap in our knowledge of American ingenuity and our ability to invent. Highly recommended.

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Winner of the Best Book in Hindu-Christian Studies Prize (2013/2014) from the Society for Hindu-Christian Studies.

The Gita is a central text in Hindu traditions, and commentaries on it express a range of philosophical-theological positions. Two of the most significant commentaries are by Sankara, the founder of the Advaita or Non-Dualist system of Vedic thought and by Ramanuja, the founder of the Visistadvaita or Qualified Non-Dualist system. Their commentaries offer rich resources for the conceptualization and understanding of divine reality, the human self, being, the relationship between God and human, and the moral psychology of action and devotion. This book approaches their commentaries through a study of the interaction between the abstract atman (self) and the richer conception of the human person. While closely reading the Sanskrit commentaries, Ram-Prasad develops reconstructions of each philosophical-theological system, drawing relevant and illuminating comparisons with contemporary Christian theology and Western philosophy.

Sales Rank: #1982617 in eBooks
Published on: 2013-07-04
Released on: 2013-07-04
Format: Kindle eBook

Review
"This work by Ram-Prasad (Lancaster Univ., UK), on philosophy of being in the Gita commentaries, despite what the title and table of contents might suggest is not a study of the Bhagavad Gita. Further, the author does not seek to provide a subcommentary on the commentaries of either Sankara or Ramanuja. Rather, he borrows from Christian theology and asserts his approach as one of constructive theology. Beginning with an introduction to the various texts, this volume then delves into an understanding of the nature of divinity, selfhood, and being, and the relationships between them. By illustrating the dialectic between how Sankara understands Krsna and a metaphysics of being and Ramanuja's perspective, the author draws readers into a rich discussion of the various ways of understanding divinity in the Gita. The juxtaposition also enables a clear understanding of these differing conceptions of the self and its relationship with the divine. Again, while this volume does not serve as a traditional or synoptic commentary on the Gita, it nonetheless provides a new and insightful lens through which to approach the text and is rich commentaries. Summing Up: Upper-level undergraduate and graduate students." - C.A. Barsley, Transylvania University, "CHOICE""" "The author presents both a re-thinking of the traditional interpretations of the commentaries and new thinking about their implications for contemporary theology, including the moral psychology of action and devotion." -Robert R. Rahl, "Catholic Library World"

This work by Ram-Prasad (Lancaster Univ., UK), on philosophy of being in the Gita commentaries, despite what the title and table of contents might suggest is not a study of the Bhagavad Gita. Further, the author does not seek to provide a subcommentary on the commentaries of either Sankara or Ramanuja. Rather, he borrows from Christian theology and asserts his approach as one of constructive theology. Beginning with an introduction to the various texts, this volume then delves into an understanding of the nature of divinity, selfhood, and being, and the relationships between them. By illustrating the dialectic between how Sankara understands Krsna and a metaphysics of being and Ramanuja's perspective, the author draws readers into a rich discussion of the various ways of understanding divinity in the Gita. The juxtaposition also enables a clear understanding of these differing conceptions of the self and its relationship with the divine. Again, while this volume does not serve as a traditional or synoptic commentary on the Gita, it nonetheless provides a new and insightful lens through which to approach the text and is rich commentaries. Summing Up: Upper-level undergraduate and graduate students.""--C.A. Barsley, Transylvania University "CHOICE "

About the Author

Chakravarthi Ram-Prasad is Professor of Comparative Religion and Philosophy in the Department of Politics, Philosophy and Religion, and Associate Dean for Research, Faculty of Arts and Social Sciences, at Lancaster University, UK. He is the author of Knowledge and Liberation in Classical Indian Thought (Palgrave, 2001), Advaita Epistemology and Metaphysics: An outline of Indian non-realism (Routledge, 2002), Eastern Philosophy (Wiedenfield and Nicholson, 2005), India: Life, Myth and Art (Duncan Baird, 2006), which has been translated into French, Polish and Finnish, and Indian Philosophy and the Consequences of Knowledge (Ashgate, 2007). He is a member of the Academic Advisory Council at the Oxford Centre for Hindu Studies and a regular contributor to BBC Radio 4's Beyond Belief and Sunday Programme.

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Published on: 2013-06-17
Released on: 2013-06-17
Format: Kindle eBook

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Sales Rank: #3947521 in eBooks
Published on: 2007-02-28
Released on: 2007-02-28
Format: Kindle eBook

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Not a kids book
By Pen Name
Found this in the library in the juvenile section and ended up wanting to have the book as it is an easy to read summary of the history of DHS.

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Five Stars
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Good book

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