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Tunisia offers a synoptic and chronological vision spanning thirteen centuries of Islamic History. After the creation of Kairouan at the rise of the Islamic era – during which time local traditions were enriched with the distant souvenir of Samarra – successive dynasties embellished the architectural language of the area with their own unique artistic expressions. The Aghlabid monuments, for example, offer the dual physiognomy of Christian art revisited by oriental craftsmanship, which was in turn inspired by the artistic language of Egypt and Mesopotamia. The ornamental innovations of the Fatimid caliphate that followed, was then a source of inspiration re-visited during the Zirid era. The long centuries of Hafside prosperity, stimulated by the arrival of exiled Andalusians, signalled the creative pinnacle of an art of symbiosis: Hispanic-Maghreb art. This successful cross-fertilisation of local austerity married with Cordoban-Umayyad splendour, would in itself promote an incredible architectural renewal until Ifriqiya became part of the Ottoman Empire. Tunis medina is a
good place to witness the creation of a typically Muslim civic model, facilitating an
image in the mind’s eye of the luxury of daily life in the pleasure palaces of the
surrounding environment. Between Bizerte and Ghar el Melh, the emphasis is placed
on the prosperous Andalusian villages, whereas on the last promontories of the
Djebel Dyr, El-Kef illustrates the dual destiny, military and spiritual, of a highly
influential centre for Sufism. The princely towns of Raqqada and Mahdia and the
ribat towns of Monastir and Sousse offer yet other manifestation of artistic
exuberance. Sfax, being Tunisia's true gate to the Levant and the most southern nomadic land, witnessed the caravanserais (of Gafsa, Tozeur, Nefta) and the
troglodytic ksours that offer so perfect a response to the hostility of a semi-
desert environment and, in contrast, the serene functionality of Jerbian architecture
which summarises the rigorous authenticity of insular Ibadism. Tunisia unravels each
of its expressions in a synchronous spiral, a revolution that encouraged the
continuity of previous traditions.
- Sales Rank: #2502600 in eBooks
- Published on: 2002-06-01
- Released on: 2013-06-03
- Format: Kindle eBook
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By J. P. Marandel
Perfect
6 of 6 people found the following review helpful.
Architectural Travel Guide to Tunisia
By Marco Antonio Abarca
Ifriqiya was published by Museum With No Frontiers, a consortium of scholars from Southern Europe, North Africa and the Middle East. Their aim is to show the architectural and artistic ties that bind the Mediterranean World. So far, they have published eleven volumes in their Islamic Art in the Mediterranean Series.
"Ifriqiya" is a travel guide to Tunisia. There are eleven itineraries for travelers interested in Islamic architecture. A number of interesting photographs accompany the text. Most English language books on Islamic architecture focus on the iconic structures. What makes this book interesting is that the focus is on vernacular buildings. There are great images of the small building details that those of us who love vernacular architecure will greatly appreciate. I purchased this volume for eight dollars and I thought it was a good value.
5 of 5 people found the following review helpful.
Thorough
By Helmut Pith
I found "Ifrigiya" interesting & useful, particularly by pairing it with a short history of North Africa. Fine photos, and a readable text. Although the book it set up with "itineraries," like a travel guide, it is probably too scholarly to appeal to the casual traveler and is a bit heavy (25 oz.) to take with you on a trip.
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