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Fat Girl, Terrestrial: A Novel, by Kellie Wells
Ebook Free Fat Girl, Terrestrial: A Novel, by Kellie Wells
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Not only the story of a colossus of a woman living in Kansas, Fat Girl, Terrestrial is also a meditation on God, treachery, and blind love.
In Kingdom Come, Kansas, a town from which children once mysteriously disappeared, there lives a giant woman. Wallis Armstrong is not a pituitary mutant or a person battling a rare medical condition; she’s just an improbably large woman ill at ease in a world built for shrimps. Paradoxically, Wallis builds miniatures of crime scenes, and her specialty is staged suicides. She constructed her first diorama as a child when a boy in her fourth-grade class went suddenly missing. Wallis’s brother, Obie, believes the only explanation for his sister’s amplitude is that she is the incarnation of God on Earth, and he is her one true ardent disciple. Until he too disappears.
Kellie Wells’s story of Wallis’s odyssey through this tight-fitting world is a churlish meditation on the existence and nature of God as well as an exploration of the treachery of childhood and the destructive nature of the most blindly abiding kind of love: that of a love-struck brother for a big sister, a disciple for an unwilling prophet, and a bone-weary god for a savage and disappointing flock.
- Sales Rank: #1740134 in eBooks
- Published on: 2012-10-24
- Released on: 2012-10-24
- Format: Kindle eBook
From Booklist
Wallis Armstrong, woman giant extraordinaire, creates miniature reproductions of crime scenes for a living and longs to shrink her own body down to such minuscule proportions. Wallis may be a Goliath in a standardized world, but her little brother, Obie, believes she is God and worships her with patience, love, and adoration. Then Obie becomes the latest victim in a string of child disappearances from their hometown, Kingdom Come, Kansas, and Wallis begins a life of solving crimes in miniature. Far from a mere mystery, though, Wells’ second novel (after Skin, 2006) is a fractured narrative, set partly in the present and partly in flashbacks, that gives way to surreal retellings of a wide range of faith traditions and asks relevant questions about the nature of religion and belief. The prose is elegant, employing elements of the absurd and of wordplay reminiscent of the work of Georges Perec (W; or, The Memory of Childhood, 1988). Reverent in its irreverence, Fat Girl, Terrestrial is a conversation about God and religion that invites careful reading and serious consideration. --Cortney Ophoff
Review
“Even in a crowded field, it is a rare pleasure to come across a prose stylist like Kellie Wells, whose intellect and language bid one another beautifully to a dance. She dares to be at play in the most unsettling questions of her day. Surely when the present generation of writers shakes down to its unique and irreplaceable voices, Kellie Wells will be one of them.”—Jaimy Gordon, author of Lord of Misrule and winner of the National Book Award
“Fat Girl, Terrestrial is proof giants still walk the earth and Kellie Wells is one of that visionary breed. Wells has always stood at ease in the tall company of Flannery O’Connor and John Kennedy Toole. But in this novel her tsunami of gorgeous lingua Americana engulfs every art form. It is music and image, soaring idea and grounded intellect, hurtling drama, spirit and flesh, and every known angle—from delicate to brutal—of comedy. Magnificent.”—Katherine Dunn, author of Geek Love
From the Back Cover
"Like the wondrous giantess at its heart, this is a book whose contours manage to contain--wickedly, soul-stirringly, in prose that makes your head spin and your heart beat faster--an entire universe, while at the same time forcing you to confront the wages of such impossible embodiment. It's tempting to say that in Kellie Wells the Brothers Grimm meet Raymond Chandler, but then you'd also have to include Virginia Woolf and William Blake, Julian of Norwich and maybe even Harpo Marx. Plus did I mention that Fat Girl, Terrestrial also happens to be a real page-turner?"--Kathryn Davis
Most helpful customer reviews
0 of 0 people found the following review helpful.
Experimental Novel Explores Dieties
By Melanie Page
"As you can imagine, I have never been very successful at being a girl, though, for my mother's sake, I have tried. I have wambled about on gimlet heels that left divots in hardwood floors, permed my hair into a fungal fuzz, wrestled my hips into girdles, painted onto my face a bright hoax of come-hither allure, following closely the prescription in those fashion magazines that advise women how to be more woman than they already are (or less), but this was all a disguise that fooled no one, least of all my mother; an authority on feminine."
Going into any FC2 bit is about like jumping down the rabbit hole; I know it's going to be different (see FC2's motto), and I'm not sure how much plot will be a factor versus other forms of storytelling. Well's novel begins with quite a bit of emphasis on plot and goes off into many tributaries of stories from there....
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0 of 0 people found the following review helpful.
WOW! One of the BEST NOVELS I've read in a LONG TIME! Brilliant master of language and so much damn FUN! Get a copy!!!
By Meg Tuite
This is the first book I've read of Kellie Wells. I'm now reading her collection "Compression Scars" and next, her novel "Skin". Her book rekindled everything I LOVE about reading and writing! Her language is absolutely unparalleled and she takes leaps on every page. Her characters are eccentric beauties who are powerful, fierce, vulnerable, and yes, outsiders, but outsiders who don't see themselves that way. Therein lies the life blood of these splendid beings. All who are outside their universe, who don't understand them are empathized with, but sadly nonvisionaries . She is at the top of my list right now of writers who rock the orbit of language with brilliance and hilarity and my LOVE for these characters she creates couldn't get any deeper. Some quotes:
"The sun is a mouth rounded in terror."
"The world is an abbatoir, and we all await the final hook we will hang from."
"You can't ask the night to stop falling once the sun slips from its perch."
"One thing that comes from reducing the world is that you uncover all the smallnesses that skitter about in the dank culverts of the human heart, get to look into the yellow eyes of those gluttonous rats that gnaw on the endless store of human disappointment and loneliness. I was always on the hunt for a soul smaller than my own."
Wells is a master at bringing the cosmos in through the looking glass of her creations. WOW! I would give this as many stars as I can see out here in the desert tonight and that's a damn lot of light! Get it!
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